The Beyerdynamic MMX 300 Professional headset delivers wealthy, clean, and detailed audio. On The Knife’s “Silent Shout,” it introduces the bass triplets with a clear punch with out overemphasis. When the sub-bass quarter notes arrive shortly after, the headset effortlessly produces the low notes with all of the heft they require. In the meantime, the synth line strikes by means of the higher register with crispness. The vocal harmonies obtain the correct therapy, with the MMX 300 Professional guaranteeing that each voices are clear and section easily back and forth. The monitor has a shimmery brilliance that lingers subtly within the background, courtesy of the cymbal hits. The headset doesn’t fairly ship the ethereal, spacious soundstage you would possibly anticipate from an open-backed headset. However the closed design and thick cushions assist seal out vital exterior noise, permitting for targeted listening.
(Credit score: Mark Knapp)
To show the extent of its vary, the MMX 300 Professional makes simple work of Kendrick Lamar’s “Loyalty.” Whether or not it’s the punchy kick drum or the heavy sub-bass line that looms giant within the monitor, the headset presents them with pressure, even managing to provide the bottom sub-bass be aware whereas protecting the vocals and hi-hat tapping clear.
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The clear audio presentation performs effectively for a monitor like Invoice Callahan’s “Drover.” Callahan’s voice is loud and full whereas the electrical guitar and fiddle sing brightly on the edges, benefiting from the modest soundstage. Subtleties just like the slight hiss at the back of the monitor and the sound of the drummer adjusting the snare wires additionally come by means of clearly, whereas the heavy thumping of the bass drum and sharp snap of rimshots pounce proper out of the drivers. The drums right here can usually sound overwrought and thunderous on headsets or headphones that put an excessive amount of emphasis on the bass, and whereas they’re booming right here, they don’t overwhelm the remainder of the ensemble.
(Credit score: Mark Knapp)
With its prolonged frequency response, the MMX 300 Professional performs effectively with orchestral music, reminiscent of John Adams’ The Gospel In keeping with the Different Mary. There are many high-frequency atmospherics and overtones, in addition to deep notes from the tympani and bass; the headset presents all of them effectively. The passive isolation actually helps preserve you targeted on the subtleties when tracks go practically silent, as is the case with Act I, Scene III’s “Lazarus Rises From the Useless,” after which the headset brings every little thing again to life with full pressure.
Although the Beyerdynamic MMX 300 Professional headset isn’t particularly made for studio use, it has the potential to be. It is simply as snug as Beyerdynamic’s studio headphones, and the closed-back design isolates noise, which lets you give attention to the music you are creating whereas stopping sound from bleeding from the headset into your microphone. You’ll want a 3.5mm-to-one-quarter-inch adapter to attach the headset to {most professional} audio interfaces; nonetheless, Beyerdynamic would not pack one.
